| Widespread Panic at Lake Tahoe: Just another Jam Band? |
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| Written by Ryan Wexler | |
| Saturday, 09 July 2005 | |
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Widespread Panic sold out Caesars Showroom in South Lake Tahoe on July
5th and 6th. The venue is the perfect place to see a band, the
rounded and terraced room is well designed for good sound, and it only
holds a couple thousand hippies at once so it is a very intimate
setting to see Panic.
Seeing a big band in a casino can be a bit odd. Sometimes it just
feels out of place to mix a bunch of patchouli oil smelling dreadlocked
hippies with the seizure provoking carpets, glowing lights and the
constant beeping of the slot machines. But this venue is set up
so well that the electric glow of the casino just adds to the show. Now I am not going to lie to you - they tore the house down. George McConnell weaved his high tempo guitar stylings throughout both nights with an intensity that put the place into a sweat soaked dance off leaving everyone in a frenzy. Unfortunately, it stopped there. Both nights seemed to center around McConnell’s guitar and the shows missed those Widespread melodies that not only had you dancing out of control, but filled you with a unique sound that grooved your soul. Widespread, can emit a sound that you would remember for more than just it's up tempo guitar riffs. We saw or I should say heard a different Widespread at Caesars. Tuesday night they really stood out as McConnell’s flying guitar seemed to have more focus and you could still sense the traditional Widespread sound in the background. Although Wednesday may have been more intense, they relegated themselves to the pure style of a jam band and the sound was missing all the elements that make Widespread Panic special. At times, on Wednesday, they even sounded out of sync. I first saw widespread with George McConnell at this same venue two years ago and then at the Greek Theatre shortly after. My first impression was that he was exactly what the band needed. He has a lot of energy in his fast paced southern guitar and he seemed to send that energy to the whole band. David Schools appeared to be more excited to play then I had seen him in a while. The whole band felt re-invigorated and he added a kick to the band by weaving in his intense jams. What can you say, George McConnell is packing heat in a big way. I remember that I dubbed the second night at the Greek Theatre to be the best Panic show I had ever seen. During those shows, the sound was very much Widespread of old; the songs held the focus, but George McConnell added a little kick that fit well. These shows were quite different though. George McConnell’s constant jamming took the focus and the songs took the backseat. This is not to say that George McConnell raged alone, the band seemed more than happy to cater to this style of sound. Unfortunately, there were very few songs that keyboardist John Hermann lead. There was a good percussion solo wednesday night, and they maintained the fast paced beat throughout both nights. However, the usual suddleties that Nance and Ortiz bring to the table were overshadowed by the tempo. JB, who although appeared to be into the show, seems to have withdrawn from playing much guitar and seemed happy to just hand songs off to McConnell to play his raging guitar around. Sure JB is played his usual rhythms in the songs, and I thought his voice sounded great, but he seems to cower behind the McConnell and strum his guitar in a lethargic manner. His fingers might not dance like McConnell, but along with his unique voice; the melodies and groovy rhythms he plays are the back bone of Widespread Panic. I thought that Schools still stood out. His bass had a strong rhythmic sound that stole the spotlight from McConnell occasionally. He easily kept with the upped tempo, but sounded much more focused into the music. Maybe his dabbling with Stockholm Syndrome renewed his joy to play, because he sure looked like he was having a good time. But
again, they sounded
like a pure jam band. When I say pure jam band I mean a band that
focuses entirely on building from one culmination to the next through
high tempo solos that constantly build upon each other. The music
is just a showcase of the individual player’s talent and the band’s
ability to keep pace with each other. This can be a lot of fun to
listen too, especially from a polished band like Widespread.
However, I am sorry to say, but jam bands are a dime a dozen. And
although McConnell's guitar is stunning; talented, high paced guitar
players are a dime a dozen too. Being able to create a unique
sound that stands out from the rest of the chatter is what really makes
a band and the contributing musicians special. That special sound
is intangible and can not be defined because it is always
different. Widespread Panic is among those special bands that
created a distinctive sound, which stands apart. Bands are supposed to evolve. In fact, I believe the best bands are transforming themselves on a regular basis. If you compare album one to album five of a band and they sound the same, then it would shock me if they made it to album ten. Bands that have a stagnated sound don't seem to make it very far and I would wager it is because not only do their fans get bored with that sound, but more importantly the band members do. So, certainly we can't discourage change. Widespread Panic might be in the midst of a transformation right now. However, I would point out that this transformation was set into place because of McConnell's addition. Could this have spawned an unnatural change? Now if I may make a comparison, let’s take a look at Leftover Salmon. They are also a band who has a very unique sound. After Leftover Salmon lost Mark Vann, they added a bevy of new members and they also had a newly energized sound. However, this seemed to set into motion the closing stages of Leftover. I realize that this comparison is a bit of reach because Leftover was pretty much a brand new band other than Vince Herman and Drew Emmit. Nonetheless, when I saw them after they added all these new members, although energized, they also sounded like a pure jam band and that special Leftover sound rarely showed itself through the jamming. The big question is whether Widespread’s new sound is still developing or if it has set into motion the closing beats of Widespread Panic. These charges maybe a bit strong, especially when you consider how hard they threw down, jam band like or not. So, let me put this into context by pointing out that I am one of those unfortunate souls that is unable to follow Widespread around and only sees them here and there. I wouldn't rule out that this was just an aberration. Maybe they were just changing it up a bit; letting loose and having some fun. If that is the case then I say rock on. Nonetheless, in South Lake Tahoe this week Widespread Panic sounded like just another jam band. |
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